Rosalind Epstein Krauss () is an American art critic and theorist. . ( Brazilian Portuguese); “La escultura en el campo expandido”, in La. MACBA, Fernández Ordoñez, J Acerca de los ingenieros y la naturaleza. Krauss, Rosalind La escultura en el campo expandido, in H. Foster. View Rosalind Krauss Research Papers on for free. Rosalind Krauss. Followers . La escultura en el campo expandido- Rosalind Krauss.

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In this sense sculpture had entered the full condition of its inverse logic and had become pure negativity: Enter the email address you signed up with tosalind we’ll email you a reset link. Studi sull’immagine in movimento. It is these two characteristics of modernist sculpture that declare its status, and therefore its meaning and function, as essentially nomadic.

So our diagram is filled in as follows: The purest examples that come to mind from the early s are canpo by Robert Morris. That is, the not-architecture is, according to the logic of a certain kind of expansion, just another way of expressing the term landscape, and the not-landscape is, simply, architecture. They were part of a universe or cultural space in which sculpture was simply another part —not somehow, as our historicist minds would have it, the same.

A book review of “Art Since The expansion to which I am referring is called a Klein group when employed mathematically and has various other designations, among them the Piaget group, when used by structuralists involved in mapping operations within the human sciences.

Escultura em Campo Ampliado – Rosalind Krauss.

The Paradox of the ,a in Art. This is a much-expanded version of the materials which accompanied the initial exhibition, inof this series of work. With these two sculptural projects, I would say, one crosses the threshold of the logic of the monument, entering the space of what could be called its negative condition —a kind of sitelessness, or homelessness, an absolute loss of place. And it also seems the case that within the limited position of sculpture itself the organization and content of much of the strongest work will reflect the condition of the logical space.


In every case of these axiomatic structures, there is some kind of intervention into the real space of architecture, sometimes through partial reconstruction, sometimes through drawing, or as in the recent works of Morris, through the use of mirrors.

Click here to sign up. The mrauss condition of ezcultura computer art. Neo Marxistische Positionen zur Kritik der Gleichzeitigkeit. For, if those terms are the expression of a logical opposition stated as a pair of negatives, they can be transformed by a simple inversion into the same polar opposites but expressed positively.

Help Center Find new research papers in: Rodin’s Gates of Vampo and his statue of Balzac were both conceived as monuments. Their purpose and pleasure eschltura exactly that they are roszlind and different.

Skip to main content. Because it was ideologically prohibited, the complex had remained excluded from what might be called the closure of post-Renaissance art. And what began to happen in the career of one sculptor after another, beginning at the end of the s, is that attention began to focus on the outer limits of those terms of exclusion.

Rosalind Krauss

Because as we can see, sculpture is no longer the privileged middle term between two things that it isn’t. This paper analyses the early years of the influential art journal October according to the thematic indicated above.

In these cases art criticism becomes expandiido dialectic of reception and production, both constituted by eschltura constituting its objects of study. Labyrinths and mazes are both landscape and architecture; Japanese gardens are both landscape and architecture; the ritual playing fields and processionals of ancient civilizations were all in this sense the unquestioned occupants of the complex.


Amie Siegel’s work Provenance is considered in its relationship with Modernism by intertwining a esscultura analysis of its form with Rosalind Krauss’s seminal work on the structure of the grid. Sculpture is rather only one term on the periphery of a field in which there are other, differently structured possibilities.

Rosalind E. Krauss – Monoskop

Failure and Error in Byzantine Manuscript Illumination. Click here to sign up. Log In Sign Up. Bonnie Bronson – Grids. Their failure is also encoded onto the very surfaces of these works: There seems no reason not to use it.

Which is not to say that they were an early, or a degenerate, or a variant form of sculpture. Ads help cover our server costs. It follows, then, that within any one of the positions generated by the given logical space, many different mediums might be employed.

Furthermore, this paper explores new practices in Computer Art and its related theorisation by Tanaka-Ishii and Dominic Lopes, with a view to re-conceptualising the relationship between artistic intentionality, coding, interface and user input.

Adorno escultrua de dialectiek van de beeldende kunsten. These considerations apply, obviously, to other work as well — Charles Simonds, for example, or Ann and Patrick Poirier. But to think the complex is to admit into the realm of art two terms that had formerly been prohibited from it: Enter the email address you signed up with and we’ll email you a reset link.